Without aspirations of being a director, but with experimental mood, Stefania tries a way of interpreting in which the actor acts as a simple median between the play and the audience. She chooses Eumenides because, as she says, it is a play that is neglected and rich, but also with a great psychoanalytic interest. She interprets all the parts and gets great critics because of which she is then asked by the Epidaurus Festival to reproduce the project in the Ancient Stadium of Epidaurus in 2018.
In a state of inner silence
that allows the right action to emerge
at the right moment
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All texts by: Elena Panayides (editor & writer)